All WEYDEN, Rogier van der Oil Paintings
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WEYDEN, Rogier van der The Last Judgment Polyptych oil painting


The Last Judgment Polyptych
Painting ID::  51142 		Artist: WEYDEN, Rogier van der
Painting: The Last Judgment Polyptych
Introduction: 1446-52 Oil on wood, 215 x 560 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Bladelin Triptych oil painting


Bladelin Triptych
Painting ID::  51145 		Artist: WEYDEN, Rogier van der
Painting: Bladelin Triptych
Introduction: 1445-50 Oil on oak panel, 91 x 89 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der St Columba Altarpiece oil painting


St Columba Altarpiece
Painting ID::  51146 		Artist: WEYDEN, Rogier van der
Painting: St Columba Altarpiece
Introduction: c. 1455 Oil on oak panel,
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Mary Altarpiece oil painting


Mary Altarpiece
Painting ID::  51147 		Artist: WEYDEN, Rogier van der
Painting: Mary Altarpiece
Introduction: c. 1440 Oil on oak panel 71 x 43 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Seven Sacraments Altarpiece oil painting


Seven Sacraments Altarpiece
Painting ID::  51148 		Artist: WEYDEN, Rogier van der
Painting: Seven Sacraments Altarpiece
Introduction: 1445-50 Oil on oak panel, 200 x 97 cm
   
   
     

 

 

 
 

 

 

 
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     Check All WEYDEN, Rogier van der's Paintings Here!
     Netherlandish Northern Renaissance Painter, ca.1400-1464 major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion . Related Artists to WEYDEN, Rogier van der : | Lucas Cranach | Campin, Robert, Follower of | Jan Matejko | George Horlor | John Liston Byam Shaw |

 

 

 
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